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| | 1974 |
| | Intro: E (See below for tab) |
| | E |
| | When I woke up this mornin' |
| | A | E |
| I was | tired as I could | be |
| | B |
| I | think I was countin' my money |
| | A | E |
| When I | should a' been countin' | sheep |
| My agent he just called me |
| And told me what I should be |
| If I would make my music for money |
| Instead of makin' music for me |
| | A | E |
| I said, "I | know that this may sound | funny |
| | A | E |
| But | money don't mean nothin' to | me |
| | A | E |
| I won't | make my music for | money |
| | B | E |
| No, I'm gonna | make my music for | me" |
| He said, "The people only buy the love songs |
| Rock n' Roll and not too long" |
| He said, "Son you got to be commercial |
| If you want to turn the people on" |
| And I said, "Turnin' on the people |
| Now that's a beautiful place to be |
| But if I spend my time makin' them up a rhyme |
| Well, who's gonna turn on me?" |
| Bridge: (Use bar/power chords) |
D-E D-E D-E-D-B-A#-A-E-G
D-E D-E D-E-D-B-A#-A-E-G
| Well now I went up to Country |
| And I'll tell you all about the scene |
| I found a place with much charm and much grace |
| That wasn't touched by the music machine |
| Whoa, the people were havin' a good time |
| Makin' music all day long |
| And nobody cared if they ever got paid |
| One penny for playin' a song |
e|---------------------------------------------------|
B|---------------------------------------------------|
G|---------------------------------------------------|
D|-6---9-9--------6---9-9--------6---9-9-------------|
A|-7-------9-7----7-------9-7----7-------9-7-9---7---|
E|---------------------------------------------9-----|
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| By: Jimmy Buffett, Steve Goodman |
| | G |
| | Oh I took a wrong turn, it was the right turn |
| | C | G |
| | My turn to have me a | ball |
| | G |
| | Boys at the shop told me just where to stop |
| | A7 | D |
| If I | wanted to play for it | all |
| | C | G | C |
| | I didn't know I'd find her on | daytime T | V |
| | C | G | D | G |
| My | whole world lies | waiting behind | door number | three |
| | G |
| I | chose my apparel, I wore a beer barrel |
| | C | G |
| And they | rolled me to the very first | row |
| | G |
| I | held a big sign that said, "Kiss me I'm a baker |
| | D | G |
| And | Monty I sure need the | dough" |
| | C | G | C |
| Then I | grabbed that sucker by the throat un | til he called on | me |
| | C | G | D | G |
| 'Cause my | whole world lies | waiting behind | door number | three |
| | C | G |
| And | I don't want what Jay's got on his | table |
| | C | G |
| Or the | box Carol Merrill points to on the | floor |
| | C | G |
| No | I'll hold out just as long as I am | able |
| | D | G |
| Or | until I can unlock that lucky | door |
| | C | G |
| Well, she's | no big deal to most | folks |
| | D | G |
| But | she's everything to | me |
| | C | G | D | G |
| 'Cause my | whole world lies | waiting behind | door number | three |
| Oh Monty, Monty, Monty, I am walkin' down your hall |
| Got beat, lost my seat, but I'm not a man to crawl |
| Though I didn't get rich, you son of a bitch |
| I'll be back just wait and see |
| 'Cause my whole world lies waiting behind door number three |
| Yes my whole world lies waiting behind door number three |
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| @CHORDS: Sean Costello (costells@guvax.georgetown.edu) |
| | 1974 |
| | *This song was recorded with a capo 5 guitar, but |
| *I've arranged it here for a standard guitar. |
| | A | F#m |
| If you | ever get the chance to go to | Dallas |
| | D | A |
| Take it | from me pass it | by |
| | F#m |
| 'Cause you'll only sing the blues down in | Dallas |
| | D | A |
| Take it | from me don't go and | cry |
| | E |
| And I'm | leavin' this town as soon as I can |
| | G | A |
| | Gonna stop off for awhile and see my | woman |
| People do you wrong down in Dallas |
| I know well they've done it to me |
| Stealin' all your bread, they're so callous |
| I know well just look and see |
| | D | G |
| Well, | people like me just | can't be free |
| | D | G | D | A |
| The | Provo man won't | let us b | e- | ee |
| | D | G |
| If the | people who knew could | get away |
| | D | G | D | E |
| | I'm real sure they'd | heed the da | y | |
| Yeah, now come on down and lose your mental balance |
| Look at me half crazy now |
| Oh, talkin' to chairs is strange and I know it |
| Look at me I'm doin' it know |
| ************************************************* |
| |x02230| - Asus2 |244222| - F#m |
| ************************************************* |
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| @SONG: Presents to Send You |
| @CHORDS: Sean Costello (costells@guvax.georgetown.edu) |
| | G |
| | Well now I'm in love with a fast-movin' angel |
| | C | D | G |
| | Dresses like the | city girls | do |
| | C | D | G | Em |
| | When we're a | part there's no | ache in my | heart |
| | C | D | G |
| When we're to | gether we're a | hell of a | crew |
| | C | D | G |
| And | I got | presents to | send you |
| | C | D | Em |
| | Even got | money to | lend you |
| | C | D | G |
| But honey | I can never | ever pre | tend |
| | D |
| You're not there on my | mind |
| There sits a fifth of Tequila |
| God I swore I'd never drink it again |
| But my last little bout I had my hair pulled out |
| By a man who really wasn't my friend |
| And I know I'll never see him again |
| | F | C | G |
| Yeah, I | thought I might | sail down to | Bridgetown |
| | F | C | G |
| Spend some | time in the | Barbados | sun |
| | F | C |
| But my | plans took a skid when I | smoked a whole lid |
| | A7 | D |
| | Wound up where I'd beg | un |
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| @SONG: Stories We Could Tell |
| @CHORDS: Sean Costello (costells@guvax.georgetown.edu) |
| | D |
| | Talkin' to myself again |
| | A |
| Wonderin' if this travellin' is | good |
| Is there somethin' else a' doin' |
| | D |
| We'd be doin' if we | could |
| | G | A | D |
| | But ah, the | stories we could | tell |
| | G | A | D |
| And | if it all blows | up and goes to | Hell |
| | G | A | D | G |
| I | wish that we could | sit upon a | bed in some mo | tel |
| | D | A | D |
| | Listen to the | stories we could | tell |
| | D |
| | Stared at that guitar in that museum in Tennessee |
| | A |
| Nameplate on the glass brought back | twenty melodies |
| | D | G |
| | Scars upon the face told of | all the times he fell |
| | D | A | D |
| | Singin' all the | stories he could | tell |
| Ah, the stories he could tell |
| And I'll bet you it still rings like a bell |
| I wish that we could sit upon a bed in some motel |
| And listen to the stories it could tell |
| So if you're on the road trackin' down your every night |
| Playin' for a livin' beneath brightly colored lights |
| And if you ever wonder why you ride the carousel |
| You do it for the stories you can tell |
| Ah, the stories we could tell |
| And if it all blows up and goes to Hell |
| I wish that we could sit apon a bed in some motel |
| And listen to the stories it could tell |
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| @SONG: Life is Just a Tire Swing |
| | 1974 | G | A | D |
| | I | remember the | smell | of the creosote plant |
| | E | F#m | Gdim | E7 | A | Bm | Cdim | A |
| when w | e'd have to | eat on | Easter | with my | crazy old | uncle and | aunt | |
| | G | A | D |
| | They lived in a | big house | Antebellum style |
| | G | D | G | D |
| and the | wind would | blow across the | old bay | ou |
| | A | D |
| and | I was a tranquil little | child |
| | D | Bm |
| | Life was just a t | ire swing |
| | G | D |
| 'Jambalaya' was the | only song I c | ould sing |
| | G | D |
| | Black-berry pickin', | eatin' fried chicken |
| | G | D | A |
| and I | never knew a | thing about | pain |
| | Bm |
| Life was just a | tire swing |
| In a few summers my folks packed me off to camp |
| yeah, me and my cousin' Baxter in our pup tent with a lamp |
| And in a few days Baxter went home, and he left me by myself |
| And I knew that I'd stay, it was better that way |
| and I could get along without any help |
| Life was just a tire swing |
| 'Jambalaya' was the only song I could sing |
| Chasin' after sparrows with rubber-tipped arrows |
| knowin' I could never hurt a thing |
| and life was just a tire swing |
| | Bm | G | F#m | Em | D |
| | And I've | never been west of | New Orleans nor | east of Pensa | cola |
| | G | F#m | E7 | A |
| My | only contact with the | outside world was an | R.C.A. Vic | trola |
| | Bm | A |
| And | Elvis would sing and then I'd dream a | bout expensive cars |
| | E7 |
| and | who would've figured twenty years later |
| | A | E7 | F#m7 |
| I'd be | rubbin' shoulders | with the stars | |
| | Bm |
| Life was just a | tire swing |
| Then the other morning on some Illinois road |
| I fell asleep at the wheel |
| But was quickly wakened up by a 'Ma Bell' telephone pole |
| and a bunch of Grant Wood faces screaming 'Is he still alive?' |
| But through the window I could see it hangin' from a tree |
| and I knew that I had survived |
| Life was just a tire swing |
| 'Jambalaya's still the best song that I sing |
| Black-berry pickin', eatin' fried chicken |
| And I finally learned a lot about pain |
| 'Cause life is just a tire swing |
| Life was just a tire swing |
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| F#m - |xx3222| F#m7 - |xx2222| Gdim - |xx2323| |
| Bm - |xxo432| Cdim - |xx1212| Em7 - |o2oooo| |
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| @SONG: A Pirate Looks at Forty |
| | 1974 | G |
| | | Mother, mother ocean, I have heard you call |
| | C | D | Am7 | G |
| | Wanted to sail upon your waters since I was | three | feet | tall |
| | Am | D | Am7 | G |
| You've seen it a | ll, | y | ou've seen it a | ll |
| | 2 |
| | Watched the men who rode you switch from sails to steam |
| And in your belly you hold the treasure that few have ever seen |
| Most of them dreams, most of them dreams |
| | 3 |
| | Yes, I am a pirate, two hundred years too late |
| The cannons don't thunder, there's nothin' to plunder |
| I'm an over forty victim of fate |
| Arriving too late, arriving too late |
| | 4 |
| | I've done a bit of smugglin', I've run my share of grass |
| I made enough money to buy Miami, but I pissed it away so fast |
| Never meant to last, never meant to last |
| | 5 |
| | I have been drunk now for over two weeks, |
| I passed out and I rallied and I sprung a few leaks, |
| But I've got stop wishin', got to go fishin' |
| I'm down to rock bottom again |
| Just a few friends, just a few friends |
| | 6 |
| | I go for younger women, lived with several awhile |
| And though I ran away, they'll come back one day |
| And I still can manage a smile |
| It just takes a while, just takes a while |
| | 7 |
| | Mother, mother ocean, after all these years I've found |
| My occupational hazard being my occupation's just not around |
| I feel like I've drowned, gonna head uptown |
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| | 1974 | C |
| | | Lookin' back at my background |
| | G7 |
| Tryin' to figure | out how I ever got here |
| Some things are still a mystery to me |
| | C | C7 |
| While | others are much too | clear |
| | F |
| I'm just | livin' in the sunshine |
| | C | Am |
| Stay | contented most of the | time |
| | D7 |
| Yeah, | listenin' to Murphy, Walker, and Willis |
| | G | G7 |
| Sing me their Texas rhymes | | |
| Now most of the people who retire in Florida |
| Are wrinkled and they lean on a crutch |
| And mobile homes are smotherin' my keys |
| I hate those bastards so much |
| I wish a summer squall would blow them |
| All the way up to fantasy land |
| | Am | D7 |
| | Yeah, they're | ugly and square, they don't belong here |
| | F | G7 | C |
| They looked a | lot better | as beer | cans |
| | Am |
| Yeah and | that's why it's still a mystery to me |
| | G |
| Why | some people live like they do |
| | Am |
| | So many nice things happenin' out there |
| | D7 | G |
| They | never even seen the | clues |
| | F |
| Oh, but | we're doin' fine, we can travel and rhyme |
| | C | Am |
| I | know we been doin' our | part |
| | F | C |
| Got a | Caribbean soul I can | barely control |
| | G7 | Am | C |
| And some | Texas hidden here in my | heart | |
| Well, now I might have joined the Merchant Marine |
| If I hadn't learned how to sing |
| And on top of all that I got married too early |
| 'Cost me much more than a ring |
| But now those crazy days are over |
| Just gotta learn from the wrong things you've done |
| I came off the rebound, started lookin' around |
| Figured out it's time to have a little fun |
| Well, now if I ever live to be an old man |
| I'm gonna sail down to Martinique |
| I'm gonna buy me a sweat-stained Bogart suit |
| And then I'll sit him on my shoulder |
| And open up my trusty old mind |
| I gonna teach him how to cuss, teach him how to fuss |
| And pull the cork out of a bottle of wine |
| | F | C |
| Yeah, got a | Caribbean soul I can | barely control |
| | G7 | F | G | C | C7 |
| And some | Texas hidden here in my | heart | | | |
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| @SONG: Trying to Reason with Hurricane Season |
| Trying to Reason with Hurricane Season |
| | 1974 | D | G | D |
| | S | qualls out on the gulf stream, | big storms comin' soon | |
| | G | D | E7 | A7 |
| I pa | ssed out in my ham | mock, | God, I slept 'till way past | noon |
| | G | D |
| | Stood up and tried to fo | cus |
| | C | G | A |
| I hoped I wouldn't have to look far | | | |
| | G | D |
| I | knew I could use a Bloody Ma | ry |
| | A7 | D |
| so I s | tumbled next door to the | bar |
| | D | Bm | F#m |
| | And now I m | ust confess, I could | use some rest |
| | G | A7 | D |
| | I can't run at this | pace very l | ong |
| | Bm | F#m |
| Yes it's | quite insane, I think it | hurts my brain |
| | G | A7 | D |
| But it c | leans me out and the | n I can go | on |
| There's something about this Sunday, it's a most peculiar gray |
| Strolling down the avenue that's known as A1A |
| I was feeling tired, then I got inspired |
| And I knew that it wouldn't last long |
| So all alone I walked back home, sat on my beach |
| and then I made up this song |
| Well, the wind is blowin' harder now, fifty knots or there abouts |
| There's white caps on the ocean, and I'm watchin' for waterspouts |
| It's time to close the shutters, it's time to go inside |
| In a week I'll be in gay Paris |
| Well that's a mighty long airplane ride |
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| Bm - |xxo432| F#m - |xx4222| A7 - |xo2o2o| E7 - |o2o1oo| |
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| | 1974 |
| | Intro: A D D6 (see bottom for chord diagrams) |
| | A | D | A | D | A | D | A |
| | | | | | Nautical Wheelers who | call themselves s | ailors |
| | D | A | A7 |
| Play | fiddle tunes under the | stars | |
| | D | A | F#m |
| | Petti-coats rustle, | working shoes | scuffle, |
| | B7 | E |
| | Hustle on down to the | bars |
| | D | A | A7 |
| | Where the juke-box is blastin' and the | liquor is | flowin' |
| | D | A | E | E7 |
| An | occasional | bottle of | wine | |
| | D | A |
| That's 'cause e | veryone here is just | more than contented |
| | E | E7 | D | A |
| To be l | iving and | dying in t | hree quarter | time |
| | A | E7 | D | A |
| | And it's | dance with me, dance with me | Nautical Wh | eelers, |
| | D | A | E | E7 |
| ta | ke me to s | tars that you k | now | |
| | F#m | D | A |
| Come on and | dance with me, dance with me | Nautical Wh | eelers, |
| | E | E7 | A |
| | I want so b | adly to | go |
| Well, the left foot it'll follow |
| Where the right foot has travelled |
| Down to the sidewalks unglued |
| And into the street of my city so neat |
| Where nobody cares what you do |
| And Sonna's just grinnin' and Phil is ecstatic |
| And Mason has jumped in the sea |
| And I'm hangin' on to a line from my sailboat |
| | E7 | A |
| Oh, | Nautical Wheelers save | me |
| Well the sunrise will bring on |
| The sleep that's escaped us |
| And everyone's off to their beds |
| There'll be huggin' and squeezin' |
| A little pleazin' and teasin' |
| And rubbin' of each other's heads |
| So won't you dream on comrades, seems nothin' escapes you, |
| Nothin', no reason, nor rhyme |
| That's 'cause everyone here is just more than contented |
| To be living and dying in three quarter time |
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| Chord diagrams: B7 - x212o2 D6 - xxo2o2 |
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| | G | C | G |
| | I want to go | back to the | island, |
| | C | D | G |
| where the s | hrimp boats t | ie up to the p | ilin' |
| | Em |
| | Give me oysters and beer |
| | A7 | D |
| for | dinner every day of the year and I'll feel | fine |
| | C | D | G |
| | 'Cause I | want to | be there |
| I want to go back down and |2. get high by | the sea there |
| | C | G | B7 | Em |
| With a | tin cup for a chalice, fill it | up with | good red | wine |
| | A7 | D | G | C | G |
| and I'm a' | chewin', on a | honey-suckle | vine | | |
| Yeah, now, the sun goes slidin' 'cross the water |
| Sailboats, they go searchin' for the breeze |
| Salt air it ain't thin, I can stick right to you skin |
| Yes, and now you heard my strange proposal |
| Get that pack gear up and let's move |
| I want to be there 'fore the day, tries to steal away |
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| Em - |o22ooo| D7 - |xxo212| A7 - |xo2o2o| B7 - |x212o2| |
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| ******************************************************************** |
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| Disclaimer -(please read)-: |
| These chord arrangments were created for private use. Anyone who |
| distributes them or copies them is in risk of violating copyright |
| laws. We claim no responsibility for what others do with these |
| lyrics and chord arrangements. |
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| -- GCC Author's note: This being IMOHO, THE definitive Buffett album, |
| it was the very first created of the GCC series. So far this has |
| been some serious work, but then just think how long it took Jimmy |
| to write all this material. I got a little bit of understanding |
| helping with the GLC (Great Lyrics Compilation) of Spring '94, but I |
| have really acquired a new respect for Jimmy Buffett's many talents. |