| C | F | C | |
| DON'T YOU TAKE IT TO BAD, IF YOU'RE FEELIN UNLOVIN |
| G | C | |
| IF YOU'RE FEELIN UNFE | ELIN, IF YOU'RE FEELIN AL | ONE, |
| F | |
| DON'T YOU TAKE IT TOO BAD, CAUSE IT AIN'T YOU TO BL | AME, BABE |
| C | G | |
| WELL IT'S ONLY A GA | ME, BABE, OUT OF ALL THIS LIV | ING, |
| C | |
| THAT WE'VE GOT LEFT TO | DO |
| F | C | |
| AND IF YOU GO SEA | RCHIN, FOR RHYME OR FOR RE | ASON, |
| G | C | |
| WELL THEN YOU WON'T HAVE THE T | IME, THAT IT TAKES JUST FOR TAL | KIN |
| F | C | |
| ABOUT THE PLACES YOU'VE BE | EN, BABE, BOUT THE FACES YOU'VE SE | EN, BABE |
| G | C | |
| HOW SOFT THE TI | ME FLIES PAST, YOUR WINDOW AT NI | GHT |
| F | C | |
| AND WE JUST CAN'T HAVE T | HAT GIRL, CAUSE IT'S A SAD LONESOME C | OLD WORLD |
| G | C | |
| AND A MAN NEEDS A WOM | AN, TO STAND BY HIS S | IDE, |
| F | |
| AND WHISPER SWEET WORDS IN HIS EARS ABOUT DA | YDREAMS, |
| C | G | |
| AND ROSES AND PL | AYTHINGS, AND THE SWEETNESS OF SP | RINGTIME, |
| C | FC | |
| AND THE SOUND OF THE R | AIN |